Eames Design by
Eames Design is the definitive study of the work of the extraordinarily prolific husband-and-wife team whose creative imprint revolutionized the look of postwar American society. Now back in print, this groundbreaking book remains the most complete catalog of their studio ever produced, examining in considerable depth every project--more than 200 in all--produced by the Eameses and their office of topflight designers from 1941 to 1978.
Alvar Aalto by
Of the indisputably great figures in 20th-century architecture, Alvar Aalto (1898-1976)is in many ways the most humane, the least rigid, the most relevant to our contemporary sensibility and the emerging future. This sumptuous book offers a thorough study of an innovative and prolific master, whom Frank Lloyd Wright termed a genius.Published to accompany a retrospective exhibition that opens at The Museum of Modern Art, New York, on February 19, 1998, this fresh, penetrating examination of Aalto's work and influence includes essays by five notable critics and historians. Some 50 of Aalto's projects -- houses, town halls, cultural institutions, factories, furniture and glass designs, and regional plans -- from all periods of his extraordinarily productive career are illustrated and described, using much previously unpublished and newly photographed material.
Architectural Theory by
Architectural Theory: Vitruvius to 1870 is a landmark anthology that surveys the development of the field of architecture from its earliest days to the year 1870. The first truly comprehensive anthology that brings together the classic essays in the field, the volume chronicles the major developments and trends in architecture from Vitruvius to Gottfried Semper. Volume 1 of the first overview of architectural thought from antiquity to the present day; this volume covers 25 B.C. to 1870 Collects over 200 classic essays in the field, organized thematically for the student and scholar, covering Classicism, Neoclassicism, the Enlightenment, Romanticism, and the Gothic Includes German, French, and Italian essays appearing in English here for the first time Features a general introduction and headnotes to each essay written by a renowned expert on architectural theory.
Discoveries: Gaudi by
Antoni Gaudi was at the forefront of the art nouveau movement in Barcelona. This is an introduction to all of Gaudi's designs, technological innovations and building methods.
Frank Lloyd Wright by
Published in conjunction with a major exhibition at The Museum of Modern Art, this catalogue reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives, the book is a collection of scholarly explorations rather than an attempt to construct a master narrative. Each chapter centers on a key object from the archive that an invited author has "unpacked"-interpreting and contextualizing it, tracing its meanings and connections, and juxtaposing it with other works from the archive, from MoMA, or from outside collections. The publication aims to open up Wright's work to questions, interrogations, and debates, and to highlight interpretations by contemporary scholars, both established Wright experts and others considering this iconic figure from new and illuminating perspectives.
The Man in the Glass House by
A "smoothly written and fair-minded" (Wall Street Journal) biography of architect Philip Johnson -- a finalist for the National Book Critic's Circle Award. When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable and influential figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT&T Building in NYC, among many others in nearly every city in the country -- but his most natural role was as a consummate power broker and shaper of public opinion. Johnson introduced European modernism -- the sleek, glass-and-steel architecture that now dominates our cities -- to America, and mentored generations of architects, designers, and artists to follow. He defined the era of "starchitecture" with its flamboyant buildings and celebrity designers who esteemed aesthetics and style above all other concerns. But Johnson was also a man of deep paradoxes: he was a Nazi sympathizer, a designer of synagogues, an enfant terrible into his old age, a populist, and a snob. His clients ranged from the Rockefellers to televangelists to Donald Trump. Award-winning architectural critic and biographer Mark Lamster's The Man in the Glass House lifts the veil on Johnson's controversial and endlessly contradictory life to tell the story of a charming yet deeply flawed man. A rollercoaster tale of the perils of wealth, privilege, and ambition, this book probes the dynamics of American culture that made him so powerful, and tells the story of the built environment in modern America.
Modern Architecture by
Eminent scholar Alan Colquhoun provides a fascinating analysis of international modernism in the world of architecture, and the complex motivations behind this revolutionary movement. Exploring the evolution of the movement from Art Nouveau in the 1890s to the megastructures of the 1960s, Colquhoun assesses the triumphs and failures of the era, along with the movement's main architects and their roles as acknowledged masters.
Zaha Hadid by
With her most recent commission, Cincinnati's Contemporary Arts Center, architect Zaha Hadid becomes the first woman ever to design an American museum. This long awaited first monograph on one of the world's most important architects collects Hadid's entire oeuvre-more than 80 built and unbuilt projects over 20 years- in one significant volume. Throughout her training at London's Architectural Association, and her work with Rem Koolhaas at OMA, to the establishment of her own worldwide architectural practice, Zaha Hadid has been acclaimed for her vanguard architectonic language. Only a handful of her projects have been built-all to great critical success- and each new project astonishes the world of design with its commitment to revolutionary forms and ideas. As a result, she has an enormous following of students and practitioners, visionaries and builders. The groundbreaking monograph contains Hadid's own striking drawings and paintings, as well as hundreds of sketches, plans, and models. Readers will recognize her built work-the Vitra Fire Station near Basel and the IBA Building in Berlin- and will welcome details of her competition entry for Chicago's ITT Building, and her winning design for the Cardiff Opera House. With generous commentary by the architect and her office, this is a landmark publication.
A Century of Posters by
Bringing together over 400 colour reproductions, this volume represents a pictorial record of the development of poster art and graphic design during the years 1880 to 1980. In addition to their artistic merit, posters can be powerful expressions of by-gone eras that help narrate historical change. In the time before mass media, posters were a prime means of communication, protest and propaganda. A Century of Posters captures that historical phenomenon from its Art Nouveau roots, through La Belle Epoque to propagandist posters of World War I, the Russian Revolution of 1917, 1960s American poster art and Japanese design.
Graphic Design: A New History by
Instructors: Please note that a third edition of Graphic Design will be available soon. Stock of the second edition should be available to fill orders for summer and fall 2019 classes; beyond fall 2019, please anticipate switching to the third edition. Go to the web page for Graphic Design's third edition to learn more or to request an examination copy. Now in its second edition, this innovative look at the history of graphic design explores its evolution from the 19th century to the present day. Author Stephen J. Eskilson demonstrates how a new era began for design arts under the influence of Victorian reformers, tracing the emergence of modernist design styles in the early 20th century, and examining the wartime politicization of regional styles. Richly contextualized chapters chronicle the history of the Bauhaus and the rise of the International Style in the 1950s and '60s, and the postmodern movement of the 1970s and '80s. The book's final chapter looks at current trends in graphic design, with in-depth discussions of grunge, comic book, and graffiti aesthetics; historicism and appropriation; and the influence of technology, web design, and motion graphics. The second edition features over 80 new images, revised text throughout, a new chapter on 19th-century design, and expanded sections on critical topics including the Swiss Style, Postmodernism, and contemporary design.
Graphic Design Is (... ) Not Innocent by
On the political complicities of graphic design, and how the discipline can be transformed Combining case studies with critical essays, Graphic Design Is (...) Not Innocent asks: who is graphic design for? Who does it exclude, in its seemingly neutral labor? What social and political effects does it bring about? And what is the future of a politically responsible graphic design? The contributors interrogate the discipline's ingrained approaches and implicit values to demonstrate its profound implication in social processes. Contributors include: Karo Akpokiere, Christian Bauer, David Bennewith, Friedrich von Borries, Clémentine Deliss, Li Degeng, Sandra Doeller, FDSC (Feminist Designer Social Club), Daniel Martin Feige, Annette Geiger, Matthias Görlich, Jianping He, Anna Lena von Helldorff, Martin Ludwig Hofmann, Jun Kay, Anoushka Khandwala, Klasse Grafik, Christoph Knoth, Francisco Laranjo, Eva Linhart, Madoka Nishi, Ingo Offermanns, Sophia Prinz, Markus Rautzenberg, Konrad Renner, Conor Rigby (Feminist Internet), Vera Sacchetti, Isabel Seiffert (Offshore), Pierre Smolarski and Markus Weisbeck.
The Paris of Toulouse-Lautrec by
Though deeply engaged with painting and drawing, Toulouse-Lautrec's lasting contribution to artistic practice was as a graphic artist. Through his prints and posters, advertisements, and contributions in reviews and magazines, he brought the language of the late-nineteenth-century French avant-garde to a broad public. He ushered in the first print boom of the modern era; taking advantage of lithography's new potential for colour and scale, he made both posters for the streets of Paris and prints for the new bourgeois collector's living room. During his short career, he created more than 350 prints and 30 posters, as well as lithographed theatre programmes and covers for books and sheet music. The Museum of Modern Art's collection of this material is stellar, encompassing over 100 prints and posters, his most important book projects, and many magazines, journals and other examples of printed ephemera. Featuring an overview essay by Sarah Suzuki, Associate Curator in the Department of Drawings and Prints at MoMA, this publication presents thematically organized groupings of Toulouse-Lautrec's prints from the Museum's collection, each accompanied by an illuminating essay on the theme.
